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Halloween
Milonga @ Impiana Hotel (31 Oct 2007) |
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Impressions
of the International Tango Festival (Turkey 2007) |
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The festival was very
well organized by Aydogan who runs the El Encuentro
tango school in Istanbul. There were about 300 participants
from more than 30 countries besides the local support.
People who registered early and had no partners, were
paired up with other tango dancers. This, of course,
was very much the luck of the draw. I was lucky to have
another teacher from one of the other cities. We were
able to help each other with all the new techniques
and step variations that were taught. |
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There were 4 pairs of
teachers, all young, new-generation teachers of Tango
Nuevo - each pair excellent instructors and fluent in
English. All of them were spectacular performers with
very individual styles. There were 2 tango bands - one
that played more traditional music and even had singers
and the other played electronic tango music. Both bands
were wonderful and very much appreciated by the Turkish
people themselves. The electronic band played their
interpretation of Oblivion - it was exquisite. |
| Going to a festival is
the perfect and economic way to learn from good teachers,
though you may end up with information overload! However,
from the milonga point of view it can be disappointing.
The Turkish tango community do stick to the format of
tandas and cortinas for the music at the milongas. However,
during the cortinas, they do not sit down so that there
is a chance to make eye contact and perhaps, get a tanda
or two of dancing. When they enjoy dancing with you, they
dance 8 - 10 numbers at a stretch. So during the festival,
more time was spent watching others dancing, which can
also be very interesting and constructive, but really
makes for yawning and being tired, early in the evening!!
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| My suggestion to those
who may want to attend festivals in future. Go for the
festival (if possible in a mixed group) and then spend
some time after for sight-seeing and attending local milongas.
The 2 milongas that were attended after the festival saw
us enjoying many dances with the local tangueros who are
good leaders and have a lovely musicality. |
| It was also an opportunity
to meet many interesting people and make contacts with
tangueros/tangueras from different countries. It was amazing
to meet many who travel with the express purpose of dancing
tango in another country. What a wonderful way to see
the world. |
| For all
our loyal tango people who started with us from the very
beginning, Lale sends her love to all who might remember
her. I spent 5 glorious days with her and the picture
shows us when we went for a milonga at Tango Jean on the
first Sunday. We arrived at 10 pm and were just in time
to stop the owner as he was locking up! It appears that
even in a large city like Istanbul (15 million people)
Sunday is a slow night! We stayed for one drink and had
a few dances. |
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Past
Workshop: Gato Valdez
and Andrea Monti |
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(23
to 27 August 2006) |
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Gato and Andrea
had a successful visit to Kuala Lumpur. The workshops were
completed with a milonga dinner held at the up-market restaurant,
Frangipani, that was greatly enjoyed by all. |
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Shown below, the
schedule of workshops. |
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Wednesday,
23rd August, 2006 - Little Havana, Corner Lorong
Sahabat/Cangkat Bukit Bintang |
| 7.30
- 9.00 pm |
| Technique I: (all
levels) posture, leg and foot positions, walk with
elegance and style, half a time, normal beat and
double time walk. |
| Ochos technique,
waist rotation, excercises for weight changes, balance
and pivot. Introduction to turns (giros) technique.
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| 9.00
- 10.30 pm |
| Tango I: ( all
levels from Advanced beginners) walking sequences,
viaven, stops and pauses for embellishments. |
| Practica/Milonguita
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| 10.30
pm onwards. Open to everyone. Entrance
to Little Havana RM 10/-- which includes 1 drink
(beer, soft drinks) |
| Saturday,
26th August, 2006 - Royal Selangor Golf Club Multi-Purpose
Hall, Jln Tun Razak |
| 2.30
- 4.00 pm |
| Technique II: excercises
for balance, simple embellishments, turns (giros)
technique, voleos and ganchos exercises. (It
is highly recommended that the students who want
to take this class, take Technique I first )
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| 4.00
- 5.30 pm |
| Tango II: (Intermediate)
simple turns with "escapada", simple turns with
entradas, double turns. |
| Sunday,
27th August, 2006 - Royal Selangor Golf Club Multi-Purpose
Hall, Jln Tun Razak |
| 3.30
- 5.00 pm |
| Tango III: (Intermediate
Advanced) Secadas Technique. Sequences with secadas
and voleos. |
| 5.00
- 6.30 pm |
| Milonga: (All levels
but not Complete Beginners) simple and playful moves
to apply in the social dance. |
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Past
Workshop: An Evening of Tango - Workshops with Laura
Legazcue |
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Stories
by Raul Cabral |
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The
Milonguero Dancer and His Body... read
more |
The
Milonguera Dancer and Her Body... read
more |
The
Beauty of Simplicity - Doing the Easy Thing is Difficult...
read
more |
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Tango
Musicians & Singers
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| Mariana
Avena, singer from Buenos Aires. |
| Mariana's talent
and interpretation power, along with the Tango Total
ballet, and the music of Leonardo Marconi Quintet
will lead audiences to feel like being in in the
heart of Buenos Aires. Great tango repertoire classics,
from Gardel to Piazzola, in a multimedia show that
expresses the Tango phenomenon in the 21st century.
A spectacle of lights, images, dance and sensuality,
with high impact and emotion. |
| Website: www.marianaavena.com |
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| Al
Tango, band based out of Poland. |
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Jaroslaw Kutera (Accordion),
Marcin Maciejewski (Bass/Contrabass), Marcin
Markowicz (Violin), Piotr Rafalko (Vocal), Robert
Morawski (Piano) |
| Website: http://altango.art.pl |
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| Gabriel
Vallejo Quartet, France |
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Gabriel Vallejo Quartet
was created from a personal sound search and
through compositions that are directed toward
the sounds of new groups; which are multidimensional
and that mix harmonically Tango, Jazz, Classical
and elements of Latin American rhthms. |
| Website: http://elcuarteto.online.fr |
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All
about Tango
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by Philip
Seyer
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There are many
kinds of tango. The three most popular in America are 1) American
Tango, 2) International style tango, and 3) Argentine tango.
In my view, International tango is better described as "English
tango" since that's where it originated and it is not truly
international in popularity. For example, International tango
is certainly not so popular in Argentina. American tango is
well-suited to social dancing, where you dance with a partner
you've never danced with before. It is a lead and follow style.
International tango is more choreographed -- so much so that
those dancing international style often stop in the middle
of a routine if they make a small mistake and are often not
able to recover well. American style dancers just improvie
and keep going. American and International styles are quite
sharp in style with headings turning quickly and steps taken
in a "quick-hold" manner rather than a graceful manner. American
and International styles are similar and often danced in ballrooms.
Argentine tango is very different in style and is not danced
so often in ballrooms, but at special "Argentine tango dance
parties," where nothing is danced but Argentine tango all
night long. Argentine tango is unusual in that the leader
must know every step the follower is taking and see it in
his mind's eye. Argentine tango is often very smooth and romantic,
unlike American and International. However, Argentine tango
can also be very fast and exciting, depending on the music.
As an example of a difference, in Argentine tango the leader
sometimes steps forward toward the follower with his left
foot while the follower si stepping backward with her left
foot. This is never done (to my knowledge) in American and
International styles. Argentine tango also has some very unique
steps where the dancers kick between each others' legs.
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Tango
in Bali
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29th
August - 4th September -
by Marguerite
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It was a wonderful week, well organized
yet loose and relaxed enough so that people could flow in
and out of the program while doing their own thing. It really
was a happy crowd. The villas were so relaxing and comfortable.
Stefani (owner of Villa
Kresna) has created something very special at Sunset
Village and keeps it running smoothly and quietly for the
enjoyment of all her guests. The fact that we had the dining
room for our use every evening, made it a continuous week-long
party, that made bonding among all the participants much more
special.
Fernanda
& Guillermo conducted
workshops that were fun despite being hard and serious work.
Both were completely professional and fabulous instructors
during the workshops and the greatest of fun to be with, outside
of "work". We truly could not have had a more perfect combination.
They managed to convert Zak and Paul (Dubai Tangueros, "brought
up" on Tango Fantasia) to love social tango. That was an achievement.
The Dubai Tangueros/tangueras are now meeting on Friday afternoons
to dance and plan the future of Tango Dubai…….. social tango
style!
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The
Tango Renaissance by
Christine Denniston Christine Denniston is author of Dancing
Tango
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The fall of the military
junta in Argentina in 1983 began a spectacular Tango Renaissance
in Buenos Aires. Friends of mine who were in Buenos Aires
at that time tell me the atmosphere was extraordinary. Suddenly
everyone wanted to move. It was as though a physical weight
had been lifted from them. Yoga classes were full. Martial
arts classes were full. Dance classes of all kinds were full.
And suddenly people wanted to learn to dance Tango, the ultimate
symbol of Argentina to the rest of the world, because suddenly
it felt all right to be proud to be Argentine again.
read
more
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Argentine
Tango Blooms under Miami's Palm Trees
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MIAMI
(Reuters) - You have to sign a release form accepting that
your instructor may hold you close, touch you and invade your
personal space.
But
apart from that American touch, when the bellows instrument
known as a bandoneon sets off a wistful tango, you might just
as well be in Buenos Aires.
Tango
classes and ballrooms -- milongas, as they are called -- are
booming in Miami, the heavily Hispanic city better known for
salsa and other Latin rhythms. read
more
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PAST
WORKSHOP: Argentine Tango Workshops with Ney Melo
& Jennifer Bratt Ney
Melo and Jennifer are argentine tango teachers & performers
currently based in New York City. They are part of the new
generation of Argentine Tango Teachers, who mixes "close-embrace"
in traditional and nuevo tango. read
more
Ney
Melo's website: www.neymelo.com
Jennifer's
website: www.close-embrace.com
Photos
from their visit to Malaysia: click
here
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Seeking
All Things Tango He
held her tightly, pressing one hand into the back of her black
halter dress. She wound her fingers around the nape of his
neck. Together, they tangoed across the dance floor, their
cheeks, shoulders, hips all touching. This wasn't the kind
of tango of old Hollywood movies in which the man and woman
arch far away from each other at the waist, face opposite
directions and march with arms extended. read
more
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PAST
WORKSHOP: Tango
in Bali with
Fernanda Ghi & Guillermo Merlo -
29th August to 4th September 2005
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This
is a unique opportunity to enjoy the beauty and mystery of
Bali as well as hone up on your tango dancing skills. We have
a wonderful combination here - Stefani Kanginaddhi is mad
about tango, has lived in Bali for the last 22 years, married
to Andre Kanginaddhi, who is a native Balinese. Their resort
Villa Kresna will be the venue for the tango holiday. She
has devoted her restaurant to the promotion of dancing for
the last 2 years. Tango is now high on her agenda.
| Date: 29th August to 4th September
2005 |
| Venue: Villa Kresna, Seminyak,
Bali |
| Villa Kresna information: www.villa-kresna.com
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PAST
WORKSHOP: Fernanda
Ghi & Guillermo Merlo in Kuala Lumpur
(25th & 26 September 2004)
Hola
Tangueros/Tangueras of Kuala Lumpur, A warm embrace for
good health. Fernanda Ghi and Guillermo Merlo are verifiably
one of the most prominent couples in the world of Argentine
Tango. They are renowned for their style, interpretation,
choreography, command of the stage and clear teaching technique.
read
more
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